In situ

With In situ, we invite spectators to occupy the stage, the place where an entire world of images, ideas and concepts is displayed during the function. For just a short while, we’ll stop drawing from fiction to instead welcome the audience into the heart of the theatre.

For five sessions, you’ll be the stars of a reflection time led by experts who will share knowledge about different issues and topics that feature prominently this season, like the fragility of the body and mind, the profession of theatre, hypocrisy, silence, our personal or collective legacies and the clash between new and old ways.

TIME
19.00 h

PRICING
6 € / Subscribers and Generació Lliure 3 €
Reservation required!

Next sessions

The main character of this story

17/06 Marina Garcés on the stage of 'La brama del cérvol' - We live in the era of self, self-fiction, networks that make us protagonists of our history, of this story, of history in general. And, despite this, the feeling of falsehood of experience and irrelevance of each of us to others is growing. Leaving aside the satisfied individudualism, which is no longer sustained, we are caught in the victimhood of a hypertrophied self of so much feeling insignificant. The work of La Calòrica solves this tension in one way. What other ways can we share and imagine?

Tickets

*These dates are subject to change.

Sessions held

A good companion on the road

08/10, Josep Maria Esquirol on the stage of 'La gavina' - One of the main virtues of Chekhov is that he knows how to get close. That’s why he usually becomes a good companion on the road. Some of his texts have been especially inspiring for the philosophy I am trying to articulate. I will try to explain it, with references to The Seagull and also to some of their stories. From syntony and gratitude.

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The hearts, no one sees them

10/12 Rita Rakosnik on the stage of 'El misantrop' - Is it honest or a sincerecide to speak in the name of truth all these hours? Where is the boundary between sharp criticism and ruthless destroy? Are fashion and trends declared enemies of authenticity? What contradictions are hidden behind Alceste's desire for transparency? Is the time of love incompatible with saving forms? I will try to deepen on these and other questions through the comedy of Molière, as well as some (re)readings of his work.

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The echoes of the first case

26/02 Bonaventura Clotet on the stage of 'L'herència' - The story of HIV/AIDS is a journey of more than four decades, marked by the uncertainty of its beginnings, the despair and fear that followed and finally the hope forged by collective memory. A journey that can be experienced in very different ways depending on the role you have to assume and the moment you have entered into it. What role was mine? The role of a doctor who coincided with the first case of AIDS in Spain and who, since then, decided to be next to the thousands following. Let’s talk about what we lived, who is living it and who could not do it, but left an indelible legacy.

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Against Culture

08/04, Antonio Centeno on the stage of 'Fantàstic Ramon' - Culture represents little and bad the functional diversity because people with functional diversity continue without a voice of their own and outside the radar of those who produce, create, distribute and market cultural products. Or is it upside down? Does the low, biased and stereotyped representation of functional diversity keep us segregated in the parallel universe of special things for special people, where good intentions of good people generate violence against our bodies and our lives? Whoops if the normals are killing us to save us...

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